We record, edit, mix and master podcasts in our studio in Zagreb — as audio, or with three cameras — and hand back a finished episode, not raw footage. One price covers the room, the crew and the whole post-production chain; there is no separate editing bill waiting for you afterwards. Audio shows start at €220 an episode, video at €850.
ShowreelMost studios price the room by the hour. We price the episode. The session — the only part an hourly studio charges for — is the first item on this list, and it ends with raw material: three camera angles and a separate audio track for every voice. Everything below it is the work that turns that material into a finished episode, done by the people who recorded it, inside the same price.
Four Shure SM7B microphones through vintage MCI JH500 preamps from a 1970s console, in a room that is acoustically treated rather than merely quiet. Recorded at 88.2 kHz / 24-bit, every voice on its own track.
Three angles: host, guest, and a wide that holds them both — enough coverage for a real conversation on screen, not a static two-shot. Lighting is set so the people stand apart from the background. Shot in 4K, which is why a vertical clip cut from it keeps its quality on any platform.
Dialogue cleaned and processed, levels made consistent between speakers and across the whole series, then a mix mastered to the loudness standard each platform expects — so your episode never sits quieter than the one your listener played before it. The work happens on the same monitoring and converters we use for producing records.
Cutting between three angles directs attention — to a question, an answer, a reaction — and the rhythm of those cuts is what keeps an hour watchable. Then the grade, so episode nine looks like episode one.
Final files in the formats the platforms expect, delivered ready to upload. From there the job is to hold what the show has — the same levels, the same grade, the same frame, episode after episode. You publish on schedule; keeping it identical is our side of the deal.
What you pay for is a delivered master — the finished episode, mixed, mastered and ready for you to release.
A complete audio-only episode: recorded in our studio, then edited, mixed and mastered, ready to publish.
The upper end covers a fourth voice at the table.
Name your project→The complete audio episode, plus the picture: three cameras, lighting, edit and grade.
€850 is the finished episode — recorded, edited, graded and mastered. The upper end is where the add-ons live: a fourth voice at the table and social clips. Three clips, the usual order, take an episode to €925.
Name your project→When the show has to happen somewhere else — an office, a museum, an event, a different city.
The price depends on the place, the distance and the number of episodes — we quote once we know all three.
Name your project→A season is priced as a season, not as a stack of single episodes. Discounts are available for booking a whole season, they scale with its size, and paying up front improves them further — tell us the shape of yours and we will quote it.
The fine printMost of this is a one-time cost, made once before the first recording — the show’s sound, its logo, a trailer, a pilot. Clips and stills are the per-episode extras; set design, distribution and remote guests we agree per show.
No — it is a different show. Audio-only is the older and, for many formats, the better format: people listen while driving, walking, working. It gets the same room, the same microphones, the same mastering. What it does not get is three cameras, lighting and a picture edit, and that is the entire price difference.
Two is the format at its best. Three is no trouble at all. Four is the maximum the table takes — on an audio show, that fourth voice is what the upper end of the price range covers. On a video show a fourth voice is €90 on top of the episode.
The recording itself tends to run about as long as the finished episode — the conversation happens close to real time. The visit is a little longer at both ends: host and guests usually come early to meet and settle into the room, and often stay a while after the last question. None of it is measured to the minute; leave some air around the session and the day will feel like a conversation, not an appointment.
Book at least three working days ahead. A session can be cancelled at no cost up to 24 hours before it starts; cancelled closer than that, we keep the deposit. If we are the ones who cancel, the deposit comes back in full within three working days and you get the first free slot with priority.
Evenings, yes. Weekends, as a rule, no — the exception is a series recording several episodes in the same day. When we can make a weekend work, it carries a 50% surcharge, depending on slot availability.
An audio episode is delivered as a mastered WAV and an MP3, ready for the podcast streaming services. A video episode is delivered as the video file for the platforms — and alongside it, an audio-only version of the same episode, for shows that also publish on the audio podcast services. Some do; the file is there if you want it.
On request, yes. The Ownership line in the fine print means what it says — the raw recordings were made for your show, so they are yours like everything else. One practical note: three camera angles in 4K and a separate track for every voice add up to very large files, so bring an external hard drive and we will copy everything onto it.
A clean wall can photograph well, but acoustically it is a hard, reflective surface, and that is heard immediately as a thinner, emptier, less controlled sound. The curtain absorbs those reflections. It is not a compromise for the look — it is the reason the room sounds like it does.
Because on a podcast the microphone is not something to hide: the Shure SM7B on a boom is the standard for the format, and by now its visual shorthand. It also earns its place — each voice held close and constant, fed through the vintage MCI preamps.
Of course — by arrangement. Write to us and we will find a time. Half the questions on this list answer themselves the moment you stand in the room.
A small team of producers, engineers, composers and musicians who spend the rest of the week making records and commercial sound in this room. Your episodes go through the same hands and the same chain — work that went into campaigns which took an Effie Awards Europe Bronze (2023) and a first place at Nicholas Hall CHC in Rome. Advertising awards, not podcast awards; the room and the people are the same.
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146All work
Whether you’ve got a fully-formed concept or a rough idea, we’ll take it from first record to live on Apple and Spotify.
Start a project →Cycle Studio is an award-winning sound design and music production facility based in Zagreb, Croatia, run by a team of producers, engineers, composers, and musicians who seamlessly blend art and science. Our clients include Diesel, Konzum, Hrvatski Telekom, Lelo, Telekom Slovenije, Njuškalo, Podravka, Sofascore, Hisense, Red Bull, Hofer, Far Out Recordings, BBE Records, Sonar Kollektiv Germany, and Hotel Lone Rovinj, among others.